Tag Archives: Distance Learning

Heuristic Learning & Shakespeare

Heuristic Learning & Shakespeare

I used to write about apps I used or liked as part of my work, or at least I recognised could aid me in my work, but have been remiss on this front for a while. So, with the urging of a few peeps on Twitter (thank you) I’ll start it up again.

This new app I’ve installed actually covers two loves – learning/reading and technology. In my role as eLearning Consultant at Warwick Business School I am responsible for the University of Warwick’s Shakespeare and His World MOOC. My involvement with this course and Professor Jonathan Bate has kick started my love of reading – I studied English Literature A-level. So here we have an app that’ll help me understand the use of technology (and see a fantastic new approach to tech that can aid learning) as well as the understand the Bard’s language.

Back in 2011 I wrote this post about how ebooks, even apps, could be used to greatly enhance the learning experience beyond just the basic text-and-note features the early e-readers offered. It seems it’s coming true (I wish the images in that post had survived a server & hosting service migration)?

Heuristic Shakespeare - The TempestHeuristic Shakespeare – The Tempest (iPad): Like many I find Shakespeare difficult to understand, sometimes just plain obscure. Through the MOOC mentioned above I have learned a lot more about Shakespeare’s influences in the time he wrote the plays (literary, cultural, personal, etc.) as well as the subtleties of his jokes and digs(and careful similarities) to the establishment. This app, therefore brings everything together and makes this one play, The Tempest, so much easier to understand, read, watch, and like.

“The Tempest from Heuristic Shakespeare is the first in a collection of thirty-seven separate apps. Each app is a tool for demystifying one of Shakespeare’s plays and making it more accessible to a modern audience. Sir Ian McKellen and Professor Sir Jonathan Bate take us on journey of discovery using the world-famous Arden Shakespeare texts and their extensive essays and notes. The apps function is to provide an essential aid to understanding and enjoying the plays in the theatre or on the screen.”

Heuristic Shakespeare – The Tempest $5.99 / £4.49
https://itunes.apple.com/us/app/heuristic-shakespeare-tempest/id1099176816

From the outset it is clear this app brings the very best of the internet (small ‘i’ these days) and learning. Not least the range of names and successful Shakespearean actors and scholars like Sir Ian McKellen and Prof Sir Jonathan Bate (both of who I worked with on another MOOC), but the way in which multimedia has been used to enhance the text, not replace it.

For those studying Shakespeare for any level of exam or are just an avid reader or Shakespeare lover this App is as good as any book or cheat-sheet note … if not better! If you ignore the videos where the actors read/act the play for you (a massive boost to my understanding – let the actors handle the difficulty of getting the pace, language and emphasis right, I can concentrate on the words and their meanings) the rest of the features are worth getting the app on their own – Shakespeare’s timeline, productions of the play, a copy of the First Folio pages, etc.

Note: I wont review each of the subsequent 36 apps, if indeed they do get round to them all, but suffice to say this approach is a quality one, offering everything I could ever have wanted when I was 16-18 and studying Shakespeare myself.

Heuristic Shakespeare The Tempest 1  Heuristic Shakespeare The Tempest 4

Heuristic Shakespeare The Tempest 5

Heuristic Shakespeare The Tempest 2  Heuristic Shakespeare The Tempest 3

Now on to the actually purpose of the App .. and it being called ‘heuristic’. For me a ‘heuristic’ learning experience is all about having the freedom or opportunity to use my experiences to discover or solve something myself. I may be led to the subject, question, or the problem, but the process of learning and solving or answering the question is for me to work out. I wont use, or even know, the best or most efficient process to use to do this, I’ll no doubt flounder around while i figure out what I need to be doing, but it’ll be my decision, my design process, and my skills that’ll take me through this and towards a solution.

And this is exactly what this App offers … the ability to use/choose what version of the play I want: either the text of the play, the pages from the First Folio, actors performing the words, understanding where the play. This is amazing and there should be more opportunities for people to learn like this, Shakespeare or not.

If you’re an English Literature teacher, or a student who’s used the App please let me know what you think of it? Did it help? What aspect of the App you found most useful, interesting, distracting, good for comprehension, good for revision, etc.?

 

Video Filming David Hopkins

How ‘long’ is too ‘long’?

For a few years now I’ve been spouting the same lines when it comes to planning a video for an distance learning course or MOOC: “preferably no more than 4 minutes, definitely no more than 6.” Anything more than 6 and we’d consider splitting it at a natural point in the subject, or working with the individual and their content and seeing where a natural break can be made, or other ways to shorten the video.

This has been supported by experience (from distance learning courses I’ve supported at both Bournemouth and Leicester University’s) and the MOOCs I’ve supported and developed while at Warwick, as well as articles like this.

As with everything, there is enough evidence to be found to support and to disprove it.

Yes, I agree that if you have a ‘teaching’ resource, where the academic/teacher is speaking to camera then there is an optimum length that someone will sit and be ‘talked at’, and this is where I see the 6 minute limit coming into play. These kinds of resources are often loaded to a VLE or a MOOC and as part of a set of resources for the topic or week’s subject area.

But there are other approaches to video content where I don’t see this working. What about case studies or mini-documentaries? What about a conversation, when a short 4 minute clip just isn’t enough to get in to the details? Do you still stick to the short-is-best message? In order for these to work you will often need to make it longer so the content and ‘message’ of the case study can be put across.

Let’s not forget, the video is nothing on it’s own. It must always be put into context for the student – why are you presenting the video for them to watch, what do you expect them to think about when they watch it, is there something they need to question as a result of the video (and/or linking it to other resources to build their wider knowledge about the subject area), can they critique the resource and present their findings back to the group, etc.?
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Customise me

Don’t give it to me unless I can customise it

My first car was a 1993 Rover Mini Cooper 1.3i, in British Racing Green (obviously). I bought it second hand in ’97 from John Cooper Garages (JCG) in West Sussex, and the legendary John Cooper himself handed my the keys (and made my mum a cup of tea while I did the paperwork).

Like so many people who own a Mini it didn’t stay ‘standard’ for very long, as I read through the Mini magazines on the kinds of things I could do to personalise the car. I went to Mini events, like the London-to-Brighton Mini Run and the 40th anniversary party at Silverstone, and looked over the show cars and private cars that were parked up, as well as the stands and auto-jumble traders. I bought the whole set of JCG brushed aluminium door furniture (window winders, door pulls, etc.) and chrome accessories (bling!), as well as doing more mechanical upgrades like vented discs and four-pot calliper for both front and read brakes, and a full-length straight-through (manifold to rear ‘box) DTM-style exhaust system (ooh, that was awesome!).

This was the start of my love affair with tinkering and messing with anything that’s standard to make it personal for what and how I like it.  Continue reading

ALTC 2015

The Interview Process #altc

From this year’s ALT conference I enjoyed (finally) meeting Wayne Barry, EdTechBook contributor, and chatting about his ALTC presentation.

Wayne’s presentation looked at a different way of interviewing candidates for Learning Technologist positions using standard questions and short presentations, but also the inclusion of a short role-play exercise. Each candidate is given advance notice that they will engage with an ‘academic’ who is interested in introducing elements of distance learning to their module. During the short exercise (many people took issue with the use of the term ‘role-play’) candidates will exhibit both knowledge of their discipline as well as the ability to listen, engage, problem solve, and debate with a member of the team taking the role of an academic.

So, how do you find out if someone will fit in to your office and team environment? Can you do this by just questions? Do competency based questions offer enough space for someone to fudge their way through the process, or rather offer the interviewers enough insight to see the tRuth behind the candidate?

This reminds me of this video, from Heineken: Job Interview. Slightly over the top, but you get the idea – by changing the process you find out many different things (hopefully good) about the candidates. Enjoy!

YouTube: Job interview at Heineken

Life's a beach #blimage

Life’s a beach #blimage

So, I’ve been convinced (it didn’t take much) to write a 4th #blimage post, this time from
Kate Graham.

You can read all my #bliamge posts here, and find out more about the challenge and how to get involved (hint: find an image, write about it as part of a learning journey or story or experience).

I’m not a fan of cricket (which is what Kate has written about), but can appreciate how sport and a game like that can capture the passion and loyalty of a nation, especially when it’s going so very well, or so very badly, which is unfortunately how England seem to play. Kate’s challenge image, the beach scene above, is much more in keeping with my wandering soul / spirit and something that brings a lot of very strong emotions to the surface.

It is these emotions, as well as the image itself, that makes me accept the #blimage challenge here. Yes, I lived in Bournemouth for many years, just a 10 minutes walk from the wonderful sandy beaches for the last 12 years, before moving to the part of the country that is the furthest from the sea. We used to walk or cycle along the 7 mile promenade from Hengistbury Head past the two Bournemouth piers to Poole Harbour, sometimes getting the ferry to Studland and along the coast to Swanage. We’d often stop and get our feet wet, sometimes just sitting down and enjoying the sunrise or sunset.   Continue reading

Digging Deeper into Learners’ Experiences in MOOCs:

Reading: Digging Deeper into Learners’ Experiences in MOOCs

One aspect of working on MOOCs is that there is no clear way to measure it’s success. Do you use the stats and logs that indicate clicks and time-on-page, or look at the nature of the conversations and/or comments made?

That’s why this paper loaded to Academia.edu by George Veletsianos piqued my interest – is there something in here that can help me understand the metrics we need to use in order to measure the learning and/or success of a MOOC?

“Digging Deeper into Learners’ Experiences in MOOCs: Participation in social networks outside of MOOCs, Notetaking, and contexts surrounding content consumption.”

Unsurprisingly the authors highlights the lack of literature around MOOCs that look into the metrics of MOOCs that are not captured on the MOOC platform (EdX, Coursera, FutureLearn, etc.), notably the social engagements, note-taking, and content consumption. Something I’d not considered before is the “availability of large-scale data sets appears to have shaped the research questions that are being asked about MOOCs.”  Continue reading

What makes a good online course?

What makes a good online learning experience?

Is it possible to define the qualities of what makes a good online learning experience, or a good MOOC? Is there a check list we could have pinned to the wall which we could use as we design and build our courses?

Here’s a few items I think the list needs, feel free to add your own ideas in the comments field below:

Presentation: Is the student able to relate to the subject and the presenter / educator? This is not always easy as the platform (Blackboard, Moodle, FutureLearn, Udacity, etc.) often controls how the materials are ‘presented’. Even with these constraints you do have options on designing your materials and laying them out in ways which make them easy to navigate or interact with.  Continue reading

Netflix

Learning the Netflix way

I’ve just read the post by Donald Clark called ‘What does ‘learning’ have to learn from Netflix?’ which has resonated with much of my own thinking from recent work and discussions I’ve been having on Twitter.

I signed up for one of the free 1 month trials of Netflix when it was first available in the UK. I enjoyed it, then cancelled it. I’d got what I wanted. Then I realised I wanted access to the binge-watching phenomenons like House of Cards, Breaking Bad, and the one that started them all, 24. But more than this, as Donald mentions in his post, I wanted access to the kind of programmes I like and at my convenience. I am not always available at 9PM every Thursday to watch the latest instalment of my favourite show(s), just like I don’t actually want to wait a full week for the next episode. I first watched 24 on DVD, not Sky, so I did binge-watch the show, usually 4 full episodes a night (or 1 DVD) and went to bed wired for the next marathon 24-fest.

So, if we’re changing our viewing habits, are we changing our learning habits (as pointed out by Donald)?

Yes. Consider Donald’s points:  Continue reading

Interview with Sharon Flynn, #EdTechBook chapter author

Interview with Sharon Flynn, #EdTechBook chapter author

The Really Useful #EdTechBook, edited by David HopkinsAs part of a series of posts, I will be talking to authors of The Really Useful #EdTechBook about their work, experiences, and contribution to the book. In this fifth post I talk to Sharon Flynn, Assistant Director at the Centre for Excellence in Learning and Teaching, National University of Ireland, Galway.

DH – Hi Sharon. How does the use of technology, in all its various forms, affect your day-to-day working life?

SF – Almost everything I do, on a daily basis, is affected by technology. From the radio alarm waking me in the morning, the coffee machine that provides the kick to get me started, the always-on aspect of my mobile phone, the constant expectation of availability by email/phone during (and outwith) office hours, my almost constant presence on twitter, my new slow cooker that allows me plan family meals, through to the glorious availability of anything I want to watch on sky+, my day is mostly ruled by technology. And that’s before I get into the proper work aspects of technology for teaching and learning!  Continue reading

MOOCs

MOOCs – 9 points on what I like, and what I don’t

Over two years ago I wrote about a few experiences I’d had with some online courses / MOOCs, and why I ‘failed’ (according to the general headline figures of engagement, attendance, etc. that are used in mainstream press).

I want to revisit this, in light of more experience in both designing MOOCs and being a student on them.

Disclaimer: This is based on courses I’ve taken on the FutureLearn, Coursera, Cloudworks, EdX, and WordPress (OcTEL) platforms. I also highlight whether is was a student on the course, or part of the development team.

1. Comments and Engagement: For the most part I’ve been a silent students. This is both deliberate and accidental. Where it’s been a deliberate choice to not engage in the comments and discussion it’s been because I knew I didn’t have the time or inclination to trawl through the hundreds of fairly uninteresting posts to add my two-pennies worth or find the one nugget of insight that is worth anything. It’s also because, for some courses, I didn’t have enough interest to take my engagement further.

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